This Is Your Brain on Music: The Science of a Human Obsession


This Is Your Brain on Music: The Science of a Human Obsession
Publisher: Dutton Books
ISBN:  9780452288522
Item# 288522
Format: Trade Paper
# of pages:322

SKU: 288522 Categories: ,



In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music–its performance, its composition, how we listen to it, why we enjoy it–and the human brain.Taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin poses that music is fundamental to our species, perhaps even more so than language. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, he reveals:- How composers produce some of the most pleasurable effects of listening to music by exploiting the way our brains make sense of the world
– Why we are so emotionally attached to the music we listened to as teenagers, whether it was Fleetwood Mac, U2, or Dr. Dre
– That practice, rather than talent, is the driving force behind musical expertise
– How those insidious little jingles (called earworms) get stuck in our headA Los Angeles Times Book Award finalist, This Is Your Brain on Music will attract readers of Oliver Sacks and David Byrne, as it is an unprecedented, eye-opening investigation into an obsession at the heart of human nature.

.Table of Contents:

This Is Your Brain On MusicIntroduction
I Love Music and I Love Science–Why Would I Want to Mix the Two?
1. What Is Music?
From Pitch to Timbre2. Foot Tapping
Discerning Rhythm, Loudness, and Harmony3. Behind the Curtain
Music and the Mind Machine

4. Anticipation
What We Expect from Liszt (and Ludacris)

5. You Know My Name, Look Up the Number
How We Categorize Music

6. After Dessert, Crick Was Still Four Seats Away from Me
Music, Emotion, and the Reptilian Brain

7. What Makes a Musician?
Expertise Dissected

8. My Favorite Things
Why Do We Like the Music We Like?

9. The Music Instinct
Evolution’s #1 Hit

Bibliographic Notes
Review Quotes:

“Endlessly stimulating, a marvelous overview, and one which only a deeply musical neuroscientist could give….An important book.”–Oliver Sacks, M.D.”I loved reading that listening to music coordinates more disparate parts of the brain than almost anything else – and playing music uses even more! Despite illuminating a lot of what goes on, this book doesn’t ‘spoil’ enjoyment–it only deepens the beautiful mystery that is music.”–David Byrne, founder of Talking Heads and author of How Music Works“Levitin is a deft and patient explainer of the basics for the non-scientist as well as the non-musician….By tracing music’s deep ties to memory, Levitin helps quantify some of music’s magic without breaking its spell.”– Los Angeles Times Book Review“Why human beings make and enjoy music is, in Levitin’s telling, a delicious story.”–

“Dr. Levitin is an unusually deft interpreter full of striking scientific trivia.”– The New York Times

“Every musician, at whatever level of skill, should read this book.”–Howie Klein, former president, Sire and Reprise/Warner Brothers Records”Levitin’s lucid explanation of why music is important to us is essential reading for creative musicians and scholars. I’ve been waiting for years for a book like this.”–Jon Appleton, composer and professor of Music, Dartmouth College and Stanford University, inventor of the Synclavier synthesizer


About the Author:
Daniel J. Levitin, Ph.D., is the New York Times bestselling author of This Is Your Brain on MusicThe World in Six SongsThe Organized Mind, and Weaponized Lies. His work has been translated into 21 languages. An award-winning scientist and teacher, he is Founding Dean of Arts & Humanities at the Minerva Schools at KGI, a Distinguished Faculty Fellow at the Haas School of Business, UC Berkeley, and the James McGill Professor Emeritus of Psychology and Music at McGill University, Montreal, where he also holds appointments in the Program in Behavioural Neuroscience, The School of Computer Science, and the Faculty of Education. Before becoming a neuroscientist, he worked as a session musician, sound engineer, and record producer working with artists such as Stevie Wonder and Blue Oyster Cult. He has published extensively in scientific journals as well as music magazines such as Grammy and Billboard. Recent musical performances include playing guitar and saxophone with Sting, Bobby McFerrin, Rosanne Cash, David Byrne, Cris Williamson, Victor Wooten, and Rodney Crowell.


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